Our May program was presented by Patricia Steadman, Martha Griffin, Sara Bradshaw and Audrey Workman and covered a variety of ways modern quilters can use appliqué in their work.
Patricia is an expert in this method and has learned tips and tricks that make the process easy and accurate. Patricia works from patterns but she makes some of the templates herself. She brought several examples of her appliqué work, both modern and traditional.
One way to use appliqué in a modern quilt is to oversize it, and Patricia has done to the quilt pictured below. She made this floral appliqué top using a design featured in the book Alison Glass Appliqué: The Essential Guide to Modern Appliqué; it will be quilted by Denise Ohlman and donated to a Habitat for Humanity homeowner later this year.
You can also use needle-turn appliqué to add modern flair to a 3-D object. Patricia sewed floral shapes to the background before constructing this tote bag. Carolyn Friedlander was spotted carrying a similar one at QuiltCon in Savannah.
Patricia’s favorite tips:
- Freezer paper is great for appliqué patterns but it shrinks! Prep it by pre-ironing it before adhering it to fabric.Instead of pinning or thread basting, use fabric glue to anchor loose pieces to the background. Keep glue away from the places you’ll stitch.
- Use glue on points where fabric meets fabric; heat set with your iron.
- Cut with serrated scissors. Fabric frays less, and you can feel the scissors bite into the fabric.
Whole-cloth and Reverse Appliqué
Martha showed us how she uses the traditional Hawaiian folding method to make a modern appliqué paper pattern. Friedlander also uses this method. Martha made this whole-cloth appliqué quilt using Friedlander’s Circle Lattice pattern*. It was fast and easy!
To make Bulls-Eye*, another Friedlander pattern, Martha used both needle-turn and reverse appliqué.
- For a large whole-cloth quilt, tape your fabric to a sliding glass door and trace your pattern onto it.
- Don’t cut the whole thing out at once. Instead, cut about 2” at a time. Everything will remain more stable that way.
Running-stitch Reverse Appliqué on Cotton Knit
Sara is making a modern t-shirt quilt—but it’s not what you’re thinking! She’s using oh-so-soft fleece knit for the backing and cotton knit for the exposed pieces. Sara’s method is similar to one she learned from Alison Glass at QuiltCon a few years ago, but Sara has made it softer. She works with old t-shirts instead of quilting cotton. Think Alabama Chanin and you’ll get a better idea. Sara enjoyed stitching this one last winter with the fleecy side on her lap.
You work this method with three layers—similar to a typical quilt—but the fabrics are different. Use knit on the top, quilting cotton in the middle, and knit on the back. Or use fleece on the back. Or put t-shirts in the middle. Your choices will dictate softness, weight, and ease of stitching.
Sara has made several squares using old clothing and plans to connect them into a larger project after she’s made more.
- Use a sashiko needle for your running stitch. You’ll appreciate the larger eye.
- Keep your knots exposed on the top of your quilt. They look pretty.
- Rock your running stitch around the shape you cut out.
- Use a larger piece of knit for the back, then pull it over to the front to create your binding.
Audrey made a hexie quilt and glued her shapes to the background. No stitching happened before the quilting began! She used a mashup of techniques by Nicole Daksiewicz of Modern Handcraft and Cristy Fincher of Purple Daisies LLC.
- Use pre-cut Hexagon Stabilizer or Sharon Schamber’s Secret Foundation instead of paper when you make your hexies (read about it here).
- Baste hexies to paper using Elmer’s washable glue stick.
- Glue hexies to foundation using Liquid Stitch glue.
- Use a hera marker to score your foundation fabric before you lay out your hexies.
Audrey also showed us how she does “scrappy appliqué”. Modern Quilting instructor Shannon Brinkley gets credit for both name and method, and as members of the MQG you can watch her explain it on their website in Fresh Quilting, Season 1 Episode 12.
The one thing Audrey does differently from Brinkley is this: Audrey sews around the small appliqué pieces before adhering the larger shapes to her background. Brinkley adheres first then free-motion stitches around the edges. Both methods work well!
Brinkley has skyline patterns of a lot of major cities throughout the world. Unfortunately there’s no Chattanooga yet. But Audrey had already drawn the Chattanooga riverfront, sketching from her own photos and altering the landscape a bit, and used that to play with Brinkley’s scrappy appliqué method.
Audrey also fell madly in love with a cloudy sky that Angela Walters quilted on a Busy City quilt for a client. Audrey had already tackled the Tennessee River with walking-foot organic wavy lines, and then the landscape with FMQ. She couldn’t find a cloudy sky tutorial so she stared and drew and stared and drew until she worked up her nerve, then she went for broke. Audrey gives Walters full kudos for the swirly cloudy sky idea.
*Our appliqué team recommends these books and resources:
- Savor Each Stitch by Carolyn Friedlander
- Alison Glass Appliqué: The Essential Guide to Modern Appliqué by Alison Glass
- Alabama Stitch Book by Natalie Chanin
- The video series by Cristy Fincher on appliqué technique with the special foundation paper